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198 pages, 12 illustrations, $15.00.
Available in German, Portuguese & Dutch.
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Signet of Atlantis was drawn out of the taped
transcriptions of 30 past-life regressions under hypnosis into Barbara Hand
Clow's past lives conducted with therapist Rick Phillips of the Deva
Foundation, Valencia, New Mexico. The central karmic question for Signet
of Atlantis was, "How is our current consciousness altered by contact
with multidimensional intelligences such as the Pleiadians?" The book ended up
being a wild, fifth-dimensional journey through layers of time from Atlantis to
the Minoan culture in Crete; scenes in a Paleolithic cave to initiatic sexual
ceremonies at Avebury; the desert in the Holy Land with Isaiah to the secret
inner temples of the pharoahs.
| This is a Minoan bull dancer--Ahuru the Thracian--leaping over
a bull in the central courtyard of Knossos on Crete, and this chapter offers
the only clues about this ritual in the modern world. A holographic pyramid of
light is transmitted from the 5th dimension into the 3rd by the 6th dimensional
Sirian blue monkey. The dancer springs off the horns of the bull as the bull
charges through a pyramid of light, "like a dolphin diving beneath the surface
of the sea." |
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| This is the interior chamber of a temple at Dzibichaltun in the
Yucatan that was not discovered by archeologists until 1920. Clow was able to
travel in an earlier time phase when the temple still contained its original
crystal skull. When her Mayan elder, Hunbatz Men, read this chapter, he
verified that this was the temple that contained this particular skull. This
skull is used by very high dimensional beings as a tool to encode 5th
dimensional records into the 4th dimension, so that these wisdom teachings can
be felt by humans. The specific teachings Clow got about how intuition
functions--for example, how symbols can be understood by feeling--are
represented by the Mayan Glyphs below the skull, and the Jaguar circle is the
Galactic Center. The owl is there because it watches galactic beams
materializing species and synchronizes energy fields on Earth. |
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| In this illustration it is 3125 B.C., and a
young priestess is carrying a block of virgin soil from a sacred spring near
Silbury Hill, part of the Avebury stone circle complex. She is depositing the
soil in the central chalk chamber of Silbury Hill. The young man is raising his
sexual energy in front of an Avebury stone, before he impregnates a priestess
in a sacred marriage ceremony, like the drawing on the wall of Lascaux Cave to
the right of the young man. When archeologists opened the chalk chamber in
Silbury Hill one hundred years ago, its lifeforms were still fresh and vital
after five thousand years without sunlight, rain, or fresh air.
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